My paintings as one may call are basically concerned with human figures. Mythology and religious stories nurtured my childhood. Thus while I grew up, the contemporary world is projected through the specs of my early memories. Primarily I painted the natural scenes fairly closed to how the eye would see it. In slow degrees as my facility in painting grew and as my knowledge of what comprised categorical structure in painting got defined, I sought to make a more truly personal And individual communication. I am not content with delineating what could be seen and sensed rather than with evoking what is deeply felt, what lay buried in memory and in the body of feeling.